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Spielberg, ‘Top Gun’ feted by National Board of Review

NEW YORK (AP) — The prize for best film of the year at the National Board of Review Awards went to ā€œTop Gun: Maverick.ā€ Martin McDonagh’s ā€œThe Banshees of Inisherinā€ took home the most trophies. But the night belonged to its best-director honoree, Steven Spielberg, and the parade of tributes paid to the 76-year-old filmmaker.

So effusive was the praise for Spielberg that Colin Farrell, there to accept the award for best actor for his performance in ā€œThe Banshees of Inisherin,ā€ said the experience of first watching ā€œE.T.ā€ was the most euphoric of his life, ranking it even above the births of his two children.

ā€œI’m glad this isn’t televised,ā€ said Farrell.

Despite the lack of a broadcast from Cipriani’s 42 Street in midtown Manhattan, the National Board of Review Awards have long been a regular and starry stop in Hollywood’s awards season. This year’s ceremony, hosted Sunday for the seventh time by Willie Geist, came right in the thick of a battery of big dates on the Oscar calendar. The Golden Globes are Tuesday, the Screen Actor Guild nominations are Wednesday and voting for the Academy Awards starts Thursday.

That meant that the NBR Awards, put on by a long-running group of film enthusiasts, was a chance to stoke buzz and polish acceptance speeches. The National Board of Review makes it easier, too, by announcing winners in advance and pairing each with a lavish introduction from a collaborator or friend. Spielberg, who won best director for his movie-memoir ā€œThe Fabelmans,ā€ was introduced by ā€œWest Side Storyā€ star Ariana DeBose.

DeBose recalled being in a nail salon when ā€œSteven (expletive) Spielbergā€ called to ask if she would join the cast.

ā€œWhat I remember most about that moment, aside from the experience of realizing that blood was rushing to my head and to my feet simultaneously, was thinking: Wow, what a gentlemanly, respectful, generous call that that was to make,ā€ DeBose said. ā€œTo ask someone to join you in an adventure.ā€

Gabriel LaBelle, who plays a fictionalized version of young Spielberg in ā€œThe Fabelmansā€ and was honored for breakthrough performance along with Danielle Deadwyler of ā€œTill,ā€ similarly described the life-changing nature of a call from Spielberg.

ā€œI feel like I’m in debt, like I owe you, like I owe you my first born child or something,ā€ LaBelle said, still in apparent disbelief at his turn of fate. ā€œI don’t know how I’ll ever pay you back.ā€

When Spielberg took the stage, the crowd rose in a standing ovation.

ā€œMy whole career in all the films I’ve directed — my job, as I have seen it — is as the accompanist and the conductor to whoever or whatever should be the center of your attention,ā€ he said. ā€œBut when it came time for me to sit down with Tony Kushner to explore the possibilities of a story that became ā€˜The Fabelmans,’ I realized for the first time that I couldn’t take cover behind a mothership or a T-Rex or a big mechanical shark that never worked.ā€

Much has been made about ā€œThe Fabelmansā€ being Spielberg’s most personal film, a classification he didn’t dispute. Though he noted that every movie, in any genre, can be personal to a director, Spielberg said making his latest ā€œwas like moving back in with my parents and my sisters.ā€

ā€œYou say you can’t go home again? Oh, no. That’s wrong. You can go home again,ā€ he said.

Though Spielberg is renowned as a hit-maker, ā€œThe Fabelmansā€ has struggled to ignite at the box office with just $15.1 million worldwide, sapping some of its Oscar momentum.

Meanwhile, the awards hopes for a pair of theatrical successes — ā€œTop Gun: Maverickā€ and ā€œEverything Everywhere All at Onceā€ — have risen. ā€œTop Gunā€ star Tom Cruise didn’t attend Sunday, but producer Jerry Bruckheimer applauded him while accepting for best film.

ā€œSimply put: He’s a force of nature,ā€ Bruckheimer said. ā€œA man with one goal: to entertain audiences.ā€

After being introduced by her ā€œCrazy Rich Asiansā€ co-star Awkwafina, ā€œEverything Everywhere All at Onceā€ star Michelle Yeoh accepted the award for best actress. The Malaysian-born Yeoh noted she was the first Asian to win the award in nearly five decades, something that caused her to reflect on her journey from Hong Kong to Hollywood.

ā€œOne day Hollywood did come calling. It was an absolute dream come true. We all wanted to go to Hollywood — until I got there,ā€ Yeoh said. ā€œSuddenly, I was a minority. I mean, how did that happen? There are more of me than you! I was typecast. I didn’t see faces like mine on the screen. I met with people who didn’t know where Korea and China and Japan were.ā€

Best supporting actress went to Janelle MonĆ”e for the whodunit sequel ā€œGlass Onion: A Knives Out Mystery.ā€ Her introduction came from Benoit Blanc, himself: Daniel Craig. ā€œAre you kidding me?ā€ MonĆ”e exclaimed. ā€œYou guys got (expletive) James Bond?ā€

ā€œWhen Janelle floats, when she glides into a room, the chemicals in the air change,ā€ Craig said of his ā€œGlass Onionā€ co-star. ā€œWhen I had the privilege of working with her, every day she lifted me up.ā€

Brendan Gleeson, who stars opposite Farrell in ā€œThe Banshees of Inisherin,ā€ wasn’t there to accept his award for best supporting actor, though Farrell read a letter from him. Gleeson remarked on the success of Martin McDonagh’s movie: ā€œHappy days for a sad film.ā€

McDonagh was also honored with the award for best original screenplay. Oscar Isaac, who stars in the playwright’s next film, introduced McDonagh by recalling his first meeting with him at a London pub, an encounter that ended in the two sharing mushrooms. Once he reached the stage, McDonagh thanked Isaac ā€œfor revealing only one of my drug preferences.ā€

McDonagh then made one of the night’s most pointed remarks, applauding his film’s distributor, Searchlight Pictures, for giving him no notes on the screenplay: ā€œWhich is probably why I’m up here tonight.ā€

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Follow AP Film Writer Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP