On Instagram in late January, Representative Alexandria Ocasio-Cortez posted a series of stories calling out the prejudice inside the cringy phrase āword salad.ā Itās an accusation of muddled speech thatās lobbed at people (okay, women) whose communication style differs from the traditional speaking patterns we associate with leadershipāa.k.a men, or, really, any of us who match that linguistic style in order to get taken seriously. Any of us, for example, who endeavor to speak low and slow and use abstract and visionary language, or who aim for direct speech rather than roundabout. Ocasio-Cortez suggested that sometimes, despite our best efforts, when we think out loud, weāre told our words are impossible to followābecause really, what the listener means is they have no intention of trying to follow someone who doesnāt sound like them.
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The truth is, each of us inadvertently shares whole dossiers of information about our lives when we speak, revealing where weāve been and where weāre going through our accent, style of speech, and word choice (lofty or colloquial, sweary or clean, peppered with ālikeās and ājustās, or more to-the-point). And those linguistic quirks shift as we bend our speech to fit the occasion. After all, you likely speak differently to your mom than you do to a lawyer or a little kid or your partner. You might alternate between dialects or whole languages to fit in, or get what you want, or pull rank, or keep yourself safe.
Read more: Talking Less Will Get You More
Most of us make these sorts of negotiations at rapid speed and often without conscious thought every single day, as we wrestle with how weāre perceived and how we want to be. In other words, the lengths weāll go to avoid hearing āword salad.ā
For 15 years, Iāve told movie stars what to do with their tongues. As a Hollywood dialect coach, I would talk vowels and consonants with clients desperate to sound clearer to American ears or those just putting on a funny voice for a fun new role. Iād spend whole days on set, listening in on the sounds coming out of my actorsā mouth, and then, between takes, gently nudge the wayward ones in the right direction.
But during the 2018 midterms, I began to help political candidates, tooāregular folks going public for the first time, being seen and heard at scale, whose communication hurdles were not due to accent but rather an acute awareness of the kinds of vocal traps Ocasio-Cortez alluded to. And then I began coaching rising business leaders needing new tools to level up. Inevitably it would be women whoād find me, or those with a voice marked for race or class or not-from-around-here, trying to get taken seriously despite a mismatch between their own voice and the traditional sound of authority.
I knew all along that each of us tells a story with our voice, beyond the wordsāwith the tone, the accent, the inflection, the pitch, the rhythm, the ways we hide behind monotone or overuse filler words. But it took working with these leaders to realize: Weāre actually all performing power with how we talk.
After all, move your tongue a millimeter one direction or the other and it could affect your job prospects, whether your lease application is accepted, or if youāre taken seriously when you run for office. Finish your sentence with a whimper not a bang and risk losing credibility: For decades now, weāve heard that habits like vocal fry and upspeak render millennial women and younger generations incapable of sounding professional, let alone like a boss. In a study founded by Duke Universityās Fuqua School of Business, analysts concluded that ārelative to a normal speaking voice, young adult female voices exhibiting vocal fry are perceived as less competent, less educated, less trustworthy, less attractive, and less hirable.ā
If youāre sick of getting dismissed or undervalued when you speak, it stands to reason youād work to change those habits that signal you donāt deserve power. To speak ānormal,ā as it were. According to Dr. Michael Kraus, a professor of organizational behavior at the Yale School of Management, during even brief interactions, speech patterns shape our perceptions of the speakerās overall competence. His study suggests weāre able to judge āsocial classā with reliable accuracy merely from hearing seven random words. āWe rarely talk explicitly about social class, and yet, people with hiring experience infer competence and fitness based on socioeconomic position estimated from a few seconds of an applicantās speech,ā Kraus said.
What do most of us do with this onslaught of information? Maybe you brush it off and speak unapologetically in your own voice anyway. But most folks eyeing leadership end up turning to executive presence trainings or coaches. They master code-switching to hide their difference or obsessively count their āumās, policing themselves before anyone else does. They chase the traditional sound of power so they might speak like the standard one day tooāor they just hate the sound of their voice.
Or both.
But there is a third way, and it requires that we name whatās true: That the standard is entirely arbitrary, and its origins suspect. Bill Bryson, in The Mother Tongue: English and How It Got That Way, confirms that no accent or style of speech has inherent value over any other. In fact, āconsiderations of what makes for good English or bad English are to an uncomfortably large extent matters of prejudice and conditioning.ā
First impressions arenāt really first impressions; theyāre inherited biases. And we can learn, as listeners, to check them. Get curious about who you instinctively take seriously based on how they speak and who you donāt. Consider just how many different ways the people around us communicate in sound, style, volume of words, and whatās left unsaid. If our voices reflect our life experience, we actually each sound unique. What does it take for us to celebrate that vast diversity of sound, rather than judge it?
When Ocasio-Cortez was still a candidate for U.S. Congress, less than a year out from tending bar, she came through Los Angeles, and I grabbed a ticket to hear her speak at a sweaty church in Koreatown. While I inched along city streets blasting the air conditioning in my car, I called my mom and told her where I was going. She exclaimed, āOh good, she needs you!ā
āOh God,ā I thought. My momās my biggest fan and she meant well. āMom, I think sheās doing just fine without me,ā I responded.
āNo, no,ā she pushed back. āThat voice. I canāt take her seriously with that voice.ā My mother is a second-wave feminist, the kind who got a Fulbright scholarship, went to law school, and kept her last name when she married. But my mother couldnāt take her seriously with that voice. I knew what she meant, of course. Ocasio-Cortezās voice is a bit nasal. A bit higher-pitched than weāre used to hearing from elected officials. She sounds distinctly Millennial, distinctly female, and above all, warmālike she was probably an excellent bartender who knew all of the regulars. I donāt say this to be flip; we all pick up valuable vocal skills from the rooms weāve mastered and that oneās a pressure cooker. She sounds like where sheās from and who she is. She sounds like she has no interest in apologizing for it.
āOr maybe, sheās teaching us what getting taken seriously might sound like,ā I responded, feeling a burst of fire.
After all, it is up to us to determine what we take seriously. Itās up to us whom we give authority, and it should be based on merit, more than sounds coming out of a mouth. This is totally obvious, of course, but in the real world the equation is complicated by implicit biases born of traditions, industries, and policies meant to keep those once powerful, still powerful. My mom is not the bad guy in this story; most of us could stand to take a flamethrower to our preconceptions.
And our preconceptions about our own voice, while weāre at it. Focus for a moment on yours. What do you like about it? I bet these sounds that come out of your mouth, your way with words, yours, has served you somewhere in some way. Consider how. Who do you sound like and why is that wonderful? Who can you connect with because of how you talk?
If this vast diversity of sound were the new normalāwhat would be possible?
